So kinda some things that are driving me at the moment are questions I have in relation to my Acting, how I make/write material.
1)
How can I deepen my understanding of qualities (lightness, clarity of focus, connection to scene partner and audience) I engage with when working with object manipulation and puppetry into other mediums of performance? (Naturalism, screenwork - things that aren't puppetry basically).
2)
I have a question that isn't fully formed. It's kinda...
What kinda work do I like making?
What do I naturally make?
What do I care about?
What do I want to make?
If anyone can distill that, I'll buy you a coffee at Zumo.
3)
How can I make offers that use what I have that make me unique to further a piece of work?
4)
last one for the moment is a biggie I thought of today while playing at the santa parade.
Something about relationships in puppetry.
Audience to Puppet.
Puppet to Audience.
Puppeteer to Puppet
Puppeteer to Audience
Puppeteer to Puppeteer (when there's more than one)
How can I begin to understand these relationships? What are the qualities/feelings of them? In the role of Audience and Puppet.
I reckon if I can understand that complicated mess of relationships I think I can really start working on the translation of the qualities of the first question.
Share your thoughts, and your confusions.
I'd love to discuss this with people, only so much thinking I can do by myself.
Comment, follow.
I'll upload more stuff tomorrow.
Rock it.
Kenga.
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